Skys as went out of Porta of FILLARY COURSE to start the Poolo-Sorratino’s Parths

Of long-term bolds such as Toni Serville to more new faces and Mary Jonobs, Oscar-Wining Director is known to bring the same actor.

Its last movie, Parthenousis no exception. In addition to Joubert and Luisa Rankii, which is two in his previous film, The hand of godHis new Cancel-of age history of A24 Reunes the Director with the Spainst Silvio Orlando (The young pops), Peppeng lanseta (Had here), and isabella Ferrari (In the mirror). Although erals of his familiar player of his familiar player, closely with Italian league is to the favorite

But he is not afraid of chances of chances of doing unprovised talent. Just as he had young FiliPo Scoti to drive the autobiographical Hand of GodIf it came to select the title of the Titular star Parthenous (In theaters now), the filmcker selected a virtual unknown: Moller Acene Celete DELESET DELETETT DALA PAIL POALA. A film and a short store and two TVs were called.

Sometimes Parthenous The absence shows a stone – epldan bat, domella thala. Dala Triet the sun rises around those great career the existence. She seems in almost all scenes as the movie her from the moment of their shoulders’ tnell is so much. Not only wear the film, but she breathes life and the gravites and a complicated, incomplete character. The Parthenope is incrutable but expressive, and heroic, magict but not unattractive, love that they are selfish. Their impressive beauty on the doors also leads but leads their colleagues to underestimate their intelligence and jokes.

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Below, in an interviewed by interpretary lilia pinai blauin, Dala Porta talks with an audition process, talk to audition process, and why do she is undertaken , do Dalla Porta with the audition process, what she has made with the aliemon and turns of the algan pitition of a branch pita, and aitio Aito Aito Aito Aito Faito, to answer her.

Entertainment weekly: How did you first involve the film?

Celests from the door: I got this role after some auditions with the polo. This audition period was very interesting because basically new audition was a hoofing class that I was, and it was, and it allowed me to dream me deeply in the character. So you’ve started that the character of study and has there much different treats as if it is very melted.

What was the first impression of the polo?

Before I was for the first first interview I was very emotionally, and I called. I was literally shaking. But then I went to the room and I started talking to him, and I saw the man over the filmaker, the artist, the artist, a man who is a lot of fun. He is very open. He was interested in getting to know me, in understanding who I was. So it was around a very beautiful session, and I will remember it right up with forts! They didn’t talk about chlosope. He was always very discrete. He didn’t give me much information about the character. I was very pleasant surprised.

What was your reaction when you learned that you have received the part?

Well, of course I was so emotional. It was one of the emotional moments of my whole life, the strongest emotion that I’ve ever felt. I was as far as a long and the audition to who the fatherko said CarOA has said, is a meaning of perteously. But on the right, I realize is always my tides of project, the high responsibility has high responsibility has given me that Pacolo gives me confidence gum with myself. That’s why I was overwhelmed by satuents. There was happy but then scared and fear.

Got said I want to point up that too if I did not search as a part of that long audios all of the long audoghoggt. And what I was graten it was, but even that tooo for the earlier, too thank you for poogo «1’s aruntino. Thank you for having me this opportunity to become deep and such a beautiful character. For me, as a sure of these most important goals is able to study, even if you have looked at just if you are just similar to such complex character. Well that’s big enough for me.

What do you think the pololog and your audition has seen he chose you for the role?

Well i don’t know. I really don’t know what he and me has seen. I still wonder. What he says is that he saw and me has the ability to play that two young girl, which one 18 years old, and at the same time, a 35 years old. So he and me seeing this skill so that the palatte is covered. And even the fact that I dedicated myself and the study of script so deeply. I really put a lot of effort in it. Also that I don’t have films experience before I went to the movie school. I would never have traded in a movie. I’ve meant first to be a constraint that he would not drive. But on the other hand, I think Palolo dislikes the fact that it was my first movie because of the freedom I had in my approach to this character. If it is why is this one question for him because I’m going to come with the prutions. All I can say is that I am very grateful, and I am always deep emotionally when I asked about it.

How would you describe carpet, and how are you doing with her?

I looked at her by reading the script and then talk to the pooo. And then when I see the movie after it was done what comes the story of a woman of a woman that are extremely complex. A woman who loves life and involved in the secret. And she is decomposed. So, she is a woman who protects their feelings and thoughts. And in that way they learn here to grow a situation game. It’s like she went in a Slalom-like fashion, wits about the people whom shes and absorb the same time they are to learn what they should learn about her.

I want to be about your relationship with Dario Aita and Daniels Rarenzo, who has your Women’s Sando Sandoro and brother Simondo. Anyone sent, he said !: Through you Thurs Thursday, and at the piece of cooking, where he just slapped you imitin ‘a direct to you.

The whole to whom says the relationship say that I was born with the Atorino and RayRondo. And we looked right and found a whole, very strong connection and a very special connection. And yes, Paolo pushes us to hug and get to know each other and get to know each other, but up to a certain point because you are to be too note and the parameteteree ‘Personalities were stuck and go by the emotions that pick up in the film. His new new one to have to be used to general, the desire must be out of the lower-year-year must join the sincts. Mean that, yes, that’s the polo tried some distance with us on such a point of sorting for which we are the risk of going, and so polite of this specials of this specials of this specials of to go this special. should be to be.

What was it how you work with Gary Oldman and some of the other legends in this movie? What have you learned from them?

The possibility of having to meet and work with actors of that caliber is something I will never forget. It’s just a grandfare. Karyalman is an extraordinary actors, and he always listens to his fellow manners. He has the ability to sort with him and never make you feel uncertain or feel shy. It’s like he’s on their way to implement on his way of dealing, which is master-like. In that hint has a level of being highlighted and so windy beauty, what is as entered.

He worked with him and the other mornings who were part in the project was so awkly. In this area I will feel that I’ve feel me and a part of them, just like us to be learned through a journey, which can be the journey to Paris. But I therefore have the time if I therefore, I therefore have the trip to Paris, like me. them so much were truncated. Great maestros. Akiy Alman was naturally one of them. He is so such a well-knownformation in the handground world, as well, (`Ros who has been hidden that stait something it’s a bad we loves us together, without can, the character and i . This is another reason I’m always grateful for this adventure.

This interview has been changed for length and clarity.